Order Of Theof The Black Death Symptoms

I want

On those days

gray and rainy I Want and Need flowers . So I went looking for them. But I came back empty-handed. Finally it is in my home that I look, and content myself with this

either of these (box offered recently)

J 'likes these things, but nothing can replace the flowers.
Last Saturday I finally found grape hyacinths.

I dreaming of the stylish blue flowers for weeks.

At the show, my first orchid.

Thanks Pascal, for weeks, it illuminates my life.

flower painting is on canvas, life is only skin deep.

Eugene Fromentin

Watch Ross Kemp On Gangs

Talking about all of your hair like a diamond

The hairstyle is an important embellishment. Indeed, in a meeting, we look each other in the eyes. From there, the hair and makeup, are the first assets that have to develop at any time and express his personality.

course, as with everything, things can not be invented. And the barber is here to help you know how to get the best advantage of your hair. Part of dialogue, before you start your hair done, is very important.

Also, in the salons Eric Zemmour, we encourage you to come talk to us. Although this is not the day your hair done. Take advantage To ripen a few ideas to cut or color, and go deeper into your personal beauty.

You can find collections of Eric Zemmour Facebook page.

Christains In Sportquotes

Joshua and Julie Rauscher Tocqueville

Opening of the exhibition in the store, on a proposal for "In Edgar," Thursday, February 17 at 18 hours.

Joshua Rauscher is currently in residence at Plot HR, Center artist residency at the Ecole Régionale des Beaux-Arts de Rouen. Julie Tocqueville is in her fifth year at Erba Rouen.

IN STORE

with:

John Cornu
Alexis Gaillard
Luc Laurent Isnard
Kheramand Johan Parent

Andres Ramirez
Joshua Rauscher
Sebastien Remy
Julie Tocqueville
Stéphane Vigny


Exhibition du17 February to 2 April 2011
Thursday to Saturday from 14pm to 18pm.

Meeting and presentation of the exhibition by the responsible In Edgar the pub Le Parisien, rue d'Amiens, Monday, February 14 to 17 hours.

Stork Gallery
81 rue d'Amiens 76000 Rouen

06.78.48.14.25 / 06.68.58.70.06
storkgalerie@gmail.com
storkgalerie.blogspot.com

What Does My Period Look Like

Homecoming

When I saw her last year, I found in a pitiful state. As far back as I go back in my memory, it was present. In my recollection, it was larger, darker. That day, I found her well demolished. Same parts.

The moment was painful. I wish it protects me as she had done for decades, I can still give him my most precious possessions. But it was no longer possible to protect me and reassure me. Against all odds, she managed to keep his distinction of sobriety. Under my fingers, her sweetness was intact. Overwhelmed by another grief, I left there. I had a certainty: I will get it, I needed her. I wanted him back its strength, beauty of years past.
Yesterday, after being well taken care of her, she came back, still as beautiful.
She took her place at home. And it was under a flood of emotions that my eyes are rediscovering its pace, its handle, his drawings, a drawer, turned feet.
She and I are going back to our history, where constraints we stopped and forced to walk together. Soon, she will welcome back my little things. She missed .......

"Inanimate objects do you have a soul"
Alphonse de Lamartine

****************

Edict of February 22

You were likely to want to find my closet in its entirety. He had to succeed to change the objective of the Camera. That is done, and here.
I apologize for the quality of my photos, but I feel

increasingly difficult to make shots

What Is Stress More Condition_symptoms

Beau

After two weeks of closing the show in Nice is ready to reopen its doors to the delight of all our customers.

Everything has changed inside. White and black set the tone. New mirrors and new furniture adorn the walls. Lighting sublimate your beauty. The night sky will captivate you for personal care. And greater refinement, the doors are covered with a thick mattress black diamond encrusted!

You can taste the pleasure of japanese ceremonies and product excellence Shu Uemura in a private cabin in sessions of up to 50 minutes.

I assure you, if we changed everything in the room, the team remains the same!!



Eric Zemmour Nice
3, Avenue de Suede
04 93 88 52 52

Stomach Flu When More Than 5 Days

Stork Gallery Exhibition at Joshua Rauscher Plot HR

Opening of the exhibition Joshua Rauscher, White Cube Giant Double Tetris (bases misleading # 2), Thursday, February 17, 2011 at 17:30 Plot to HR .

In a state saving, we change the statues but it retains the bases.

Claude Roy

Joshua Rauscher presents the work performed during his residency in November and December 2010 PLOT HR. In space naked, two clusters of bases, one hand and the other nine, accompanied by a video projection showing the stacking of several attempts made in the premises of the ERBA. A second small slideshow scrolls, for the record, images of sculptures unbolted the occasion of brutal political change.

Note original intent (November 2010)

Currently in residence in PLOT RH (Regional School of Fine Arts, Rouen), I work the following project: group then duplicate all bases used in various art classes for the ERBA Rouen.

The origin of this project is essentially intuitive and follows the seduction exercised systematically on me these stacks of simple volumes, human scale, each time I crossed one.

At first glance, the project and the intention may seem a bit cheesy (even my own eyes the result of duplicate bases and declare sculptures nothing very extraordinary!). However, many of my interests usual are present: the notion of involuntary sculpture, crafts and manufacturing, modularity and combinatorial, the relationship sculpture / architecture, furniture and more furniture exhibition, duplication (copy, replica, facsimile) The organization of space, the game ...

like this I guess the part that should result from this work: two large clusters of bases identical. One showing marks of time, traces of wear. The other, placed near the first, but like new, like copy and paste each element but also all. The internal organization of the original (the stacking mode or spreading) can result in different combinations as copying repeated, identical or mirror.

Specifically, I counted twenty-one bases that I would conveniently duplicated twice: one copy is necessary to quietly steal the originals belonging to the school of art (via exchange the sly), a second pair to the original.

I counted that would require 95 m2 wood panels, 4 pounds of glue, staples and a few hundred 15 to 20 working days.

Joshua Rauscher

Download the full press release here .

Joshua Rauscher lives and works in Avignon. He teaches at the Art School of Aix-en-Provence. More information: www.josuerauscher.net

Exhibition of 17 February to 12 March 2011

Thursday through Saturday, from 14h to 18h

PLOT HR

shopping mall Grand'Mare

4 bis rue François Couperin

76000 Rouen

European Top Sharking Vids

Exhibition SHOULD BLEED BLACK TO EDGE in galleries Erba Rouen

O. Mosset, ZZ (2009), Triple V © André Morin, Paris Courtesy Galerie Triple V, Paris

At bottom, left to right: works Gilles Furtwängler, Stéphane Dafflon,
Baudevin Francis, Julije Knife Christian Robert-Tissot. Photo: Erba, H. Digard

Basically, left to right: works Francis Baudevin, Julije Knife
Christian Robert-Tissot, Hugo Pernet. Photo: Erba, H. Digard

From left to right: works Steven Parrino, Decrauzat ,
Francis Baudevin , Tania Mouraud , Morellet . Photo: Erba, H. Digard

From left to right: works Baudevin Francis, Tania Mouraud,
Morellet, Damian Navarro . Photo: Erba, H. Digard

Exhibition opening SHOULD BLEED BLACK TO EDGE Tuesday, February 15, 2011 to 17:30 in the Great Gallery and the Gallery of Martainville Erba Rouen.

SHOULD BLEED BLACK TO EDGE

A carte blanche with Decrauzat:

Francis Baudevin
Stephane Dafflon
Decrauzat
Gilles Furtwangler
Julije Knifer
Morellet
Mosset
Tania Mouraud
Damian Navarro
Steven Parrino
Hugo Pernet
Christian Robert-Tissot

As part of the Workshop Research and Design Spot & Stop, set up the School Regional des Beaux-Arts in Rouen by Lucile Encrevé in partnership with The Spot, Contemporary Art Center of Le Havre in order to produce a common reflection on the discourse of artist, a carte blanche was given to Philip Decrauzat, Swiss artist born in 1974, to be commissioner of the exhibition, from February 15 to March 15, 2011, in the Great Galleries of ERBA. Titled

SHOULD BLEED BLACK TO EDGE, his proposal gathered around him works of eleven artists, abstract artists of various generations, half of which belongs to him as the rich Swiss contemporary scene: Francis Baudevin Stephane Dafflon, Gilles Furtwängler Julije Knifer Morellet, Olivier Mosset, Tania Mouraud, Damián Navarro, Steven Parrino, Hugo Pernet and Christian Robert-Tissot. An exhibition of abstract works, black and white, radical and remotely (for humor, gaming, ownership), questioning the boundaries of painting while the desecration, thinking about key works, including ZZ ( 2009) Olivier Mosset, and can be read as a contribution to the discourse of Decrauzat.

Echoing the exhibition and in the Research Laboratory Edith (School of Art and Design Le Havre-Rouen), which develops an inventory of artists' editions and graphic 1980s to present day, the gallery will host a selection Martainville multiple published by the Contemporary Art Center and publishing independent and experimental circuit, founded in 1998 by a handful of former students of the School of Art Lausanne (including Philippe Decrauzat) - edition in which the title of the exhibition refers (bleed: bleed printing, that is to say, without white border).

Tuesday, February 15, Decrauzat give, to inform its choice, a conference at 14.30 and Gilles Furtwängler reading his poems at the opening, which begins at 17:30.

The Regional School of Fine Arts in Rouen and Le Spot thank the artists, lenders (FRAC Bourgogne, Dijon FRAC Basse-Normandie, Caen), galleries (Triple V, Paris, Praz-Delavallade, Paris and Dominique Fiat, Paris) for their invaluable assistance in organizing this exhibition, and students for their participation in the installation and implementation, alongside artists, murals of Gilles Furtwängler and Damián Navarro.

Download the document here visit.

Exhibition from February 15 to March 15, 2011 Tuesday to Saturday
from 9:00 to 12:00 and 14:00 to 18:00 (except holidays)

galleries Regional School of Fine Arts in Rouen

Aître St. Maclou

186 Street Martainville

76000 Rouen

Tel. 02 35 71 38 49

erba.rouen1 @ wanadoo.fr

The Spot is supported by the Ministry of Culture and Communication (DRAC Haute-Normandie), Le Havre and the Regional Council of Haute-Normandie. The Spot is a member of Art Center Social Club.

Plp For Matlab R2007b

Florence Chevallier Niepce Museum

Carjat Etienne, CH. Baudelaire, c. © 1860
museum Niépce / Succession Lamarche and Lamarche-Vadel

Exhibition opening BLV 4 Conversations between works , Saturday, February 11, 2011 at the Musée Niepce in Chalon sur Saone.

with:

Berenice Abbott, Lewis Baltz , John Coplans, Hamish Fulton, Paul-Armand Gette, Bettina Rheims, Keiichi Tahara, Heinrich Kühn, Thomas Ruff, Stephen Carjat, Stephen Neurdein, Walker Evans, William Klein, Felix Nadar, Florence Chevallier, Sophie Calle, Alfred Stieglitz, Umbo

Commissioner of the exhibition: Sonia Floriant

Since its filing in 2003 by its assigns, the collection of Bernard Lamarche-Vadel became an object of study and experience teaching. The museum keeps Niépce new look at this collection through research and its applications and technology museum [Corpus [blv] 1, [blv] 2, [blv] 3 and [blv] 4]. With

[blv] 1, we installed the collection in the heart of the museum by a collector in the first tribute to his collection.

[blv] 2 highlighted the special relationship that the collector had with death through two artists he has brought and who accompanied him to the end, Jean and Jean-Philippe Rault Reverdot.

[blv] 3 was aware of the least known part of this deposit, collection of photographic books (1300 books of photographs). Corpus (2003-2006), reformulated in Arles photography festival for 2010, was an opportunity to repeat this experience and technology museum of digital output from the collection in its entirety, without confiscation and independent of place (1 500 images ).

Finally, [blv] 4 sheds light on the vision of Bernard Lamarche-Vadel its photographic collection, its scope, its link with a history of photography and more generally a history of the arts (literature and art). This is a small set we do a raid again in this collection the few major historical documents, to conduct conversations with the substantial body constituted by the contemporary pieces.

Any collection consists of a single individual over a period of time, reveals his findings. The overrepresentation of an artist by the number of images or the presence of a heterogeneous element does not create discord or variance. In the collection of Bernard Lamarche-Vadel marked by contemporary photographers of the years 1980-1990, old photographs or prior to this period is nothing against the numerically 1500 numbers.

The collector is not specifically motivated this small set. Yet, just like a walking encyclopedia, he has systematically assembled around major historical categories: the American landscape and the portrait (the portrait mortuary); documentary photography, commercial, fashion, experimentation pictorialists; architecture , amateur photography, etc..

Around these few historical works and, not least, Watkins, Abbott, Evans, Stieglitz, Kühn Umbo, Carjat, Man Ray, Nadar, Neurdein, gravity and a broad contemporary ensemble in which we went to make a draw selection "ideal".

Beyond the differences in size, color, frame, framing, no gap between the pieces chosen or if there is one, it is purely chronological. For, by bringing them closer to each other on each chair rail, we have highlighted the possible relationship conversations.
Carleton Watkins and converse with Hamish Fulton and Lewis Baltz; Umbo with Bettina Rheims and Keiichi Tahara; Heinrich Kühn pictorialist with the Paul-Armand Gette and John Coplans, Thomas Ruff with Etienne and Etienne Carjat Neurdein (photographers of the 19th century), Berenice Abbott and Walker Evans with William Klein and Lewis Baltz, Felix Nadar with Florence Chevallier and Sophie Calle. Only
The Steerage Alfred Stieglitz, placed in the proximity of other works, arrives in recess. Rare coin and coin-lighthouse history of photography. But conversation considered perhaps more worthy of that story may take place: Coplans admired Watkins, Kühn worked with Stieglitz, a German photography Ruff is linked to images of the 30s a Umbo, etc..

Mentally, all conversations are possible, the walls can be disrupted and the traditional categories of exposure restored. Each will the conversation he wants. This exhibition


has been given to imaging Lannion from October 16 to November 27, 2010. It is here at the museum Niépce, altered, redesigned, reformulated in terms of specificity and foremost, it is extended, to ensure the continuity of previous exhibitions BLV1, BLV2, BLV3 and Corpus.

A catalog was published on the occasion of the exhibition:

INCLINATION

COLLECTION BY BERNARD LAMARCHE-VADEL

Text: Isabelle Tessier, Danielle Robert-Guedon

Francois Cheval, Sonia Floriant Michele Chomette Gaëtane Lamarche-Vadel

Watermarks Editions

ISBN 13: 978-2-35046-199-1

€ 25

Exhibition from February 12 to May 15, 2011

From 9:30 to 11:45 a.m. and 2:00 p.m. to 5:45 p.m.

Every day except Tuesdays and holidays

Museum Niepce

28, Quai des Messengers

71100 Chalon sur Saône

Phone: 03.85.48.41.98

Fax: 03.85.48.63.20

contact@museeniepce.com

www.museeniepce.com

Phrases With The Word Baby

Tunisia soon resumed

For some time, Tunisia is stirred by a spirit of revolution. The lounge Eric Zemmour Monastir and the hotel Royal Thalassa it depends had to close temporarily.
All will reopen from 1 March. Mehdi will take over the show.

Where Is Cervix Right Before Period?

Jean Rault Museum of Louviers in

© Jean Rault: Dame, a glass in hand, Kyoto, 2002
photography in black and white with silver salts , 45x45 cm

© Jean Rault. Aya miss U. Tokyo, 2000

Opening of the exhibition of Jean Rault, The one and the other, Photographs 1983-2010, Saturday, February 12 to 18 hours, the Museum of Louviers, in the presence of artist.

Curated Michel and Philippe Natier Cyroulnik, director of 19, Centre d'Art Contemporain de Montbéliard

In the wake of its two main masters: August Sander and Diane Arbus, Jean Rault for focusing on the representation of the body through a demanding practice of portraiture and the nude portrait. Jean Rault lives and works in Normandy, Paris and Japan over the past ten years.

The retrospective portraits of Jean Rault first presented in 2010 at 19, Centre régional d'art contemporain de Montbéliard and this year at the Musée de Louviers highlights the consistency of the work of this major photographer, while practicing forays into other fields such as landscape, portraiture has been privileged about it. His work took off under the auspices of two masters of portraiture, August Sander and Diane Arbus. It is indeed at the crossroads of what can in body image and function as an index symptom.
portraits of Jean Rault show great attention to the other: At this time and that other embodied and seized what they crystallize in life, load and desire. But injuries, violence, stigma and What write their own existence and the gaze that stares.
whether made in particular at the Musée de Louviers is symbolic. That, at the beginning his career, he found, with the then Conservative, Anne-Marie Rothiot, particularly attentive listening to his work. Come together at the Museum of Louviers, on advice of pioneering was Peter Gaudibert conservative founder of the ARC in Paris to present its initial work and gather initial advice was for him a moment of great importance , which marks his journey as a kind of tag memory. Back at the museum today is a way to measure the progress made.
monograph published for the occasion, dedicated the portraits of Jean Rault, highlighted with his impressive strength to the body art and people exposed; updating their multiple blooms, but also shadows and ambiguities that configure them. And this with acuity and a consciousness which draws its light in a subtle dialogue between the body and the paint has to issue more dense.
Featuring many reproductions, this book is assisted by three authors advised. In a text of a densely historian and critic Pierre Wat sheds light on the essential characteristics of this major work. The philosopher Marcel Hénaff the circumscribed sighting his art to strip it to update the humanity in all its forms. Finally, criticism Catherine Pomparat, combining text and image, in a nod to Roland Barthes, updates which crosses from east and west in the photographs of the artist since his deliberate inclusion in the cultural area of Japan.

Michel Natier Museum Director Philippe de Louviers
Cyroulnik director of 19, Centre régional d'art contemporain de Montbéliard

Download the complete press kit here .

Exhibition from February 12 to April 30, 2011

Open daily from 14 am to 18 pm, except Tuesday

Free admission - Disabled access

Museum Louviers
Place Ernest Thorel
27400 Louviers
Tel. 02 32 09 58 55
www.city-louviers.fr.
musee@ville-louviers.fr

Alice In Wonderland Type Cake

Jason Karaïndros FRAC Haute-Normandie

Jason Karaïndros: Figures (video)

Opening Exhibition "The Beautiful is always bizarre" CB Friday, February 11, 2011 at 18:30 in Frac Haute-Normandie

" The Beautiful is always bizarre"
CB Carte Blanche Philippe Piguet, art critic and curator

Works :

Glen Baxter, Philippe Bazin, Anne Brégeaut Philippe Hatchet, Daireaux François, Gaël Davrinche, Jean-Jacques Dumont, Joan Fontcuberta, Gregory Forstner, Fréger, Olivier Goulet, Hippolyte Hentgen, Jason Karaïndros, Farida The Suavé, Olivier Leroi, Natacha Lesueur, Iris Levasseur Isabelle Lévénez , Remy Marlot, Javier Pérez, Francoise Petrovitch, Paul Pouvreau, Jorge Queiroz, Annelise Ragno Hugh Reip, Anne-Marie Schneider, Sterbak, Ji-Yeon Sung, Jeanne Susplugas, Toguo Patrick Tosani Yves Trémorin

Bizarre , right? Just browse all acquisitions FRAC Haute Normandie that were made over the last three years to realize that most contain some degree of strangeness. Expected result of consultation? No, at least what solved the choices that had been envisaged. Mere coincidence, then? Possible effects of time are still unfathomable. Deviation personal look? Probably, but it is fully accepted as true that the experience of art should never leave us unscathed. In a world
commonplace, standardized and stereotyped as ours, not surprising that occupies such a weird place among contemporary artists. While commenting on it, it allows them to tell the world that it is another. Of the project in an elsewhere which otherwise operates as a refuge, at least seeking it prospectively. Praise of the strange and incongruous. The look is always in need of shifted images and the mental spirit of adventure novel. Whatever their nature - painting, sculpture, drawing, photography, video and installation - the works of artists who are gathered here were selected based on their intrinsic quality to surprise the viewer, either in content or narrative their creative process. In all cases, they bring into question the reality and its conventions, as they hold the power of the imagination of their creators and to the ability of the viewer to invest his own.

Thus, the designs black Hugues Reip open on a twisted and irrational world, at once poetic, fantastical and fun, which leads the eye across a mirror unpredictable. In the chill silence of their material, photos of Ji-Yeon Sung force us to face to face so quiet that he heard an ominous and mysterious. Characters Gregory Forstner and Fréger return the existential aesthetics of the mask for what it determines to order another one unfathomable. The bizarre or the possibility of an elsewhere.

Philippe Piguet


Exhibition from February 12 to April 17, 2011
Wednesday to Sunday from 13:30 to 18:30 except public holidays


Traffic Frac Haute-Normandie
3 Place des Martyrs de la Resistance 76300
Sotteville-les-Rouen

Tel. : 02 35 72 27 51

Fax: 02 35 72 23 10
e-mail: frac.haute.normandie @ wanadoo.fr

Nerovision Discontinued

Eric Zemmour Laurent Decreton backstage at the MCB

Small Metal Boats For Sale

Dominique de Beir and Kacha Legrand at the Galerie du Haut-Pavé (paris)

Opening of the exhibition Small papers Saturday, February 5th from 4:00 p.m. at the Gallery of the High Pavement.

From 5th to 12th February 2011, the Galerie du Haut-Pavé offers a clash of the group. Were invited forty-six artists who have exhibited in such places in the last fifteen years, and some guests, close to the gallery and its spirit. The theme selected is that of small papers. Each exhibitor has been invited to exhibit four to five works on paper, limiting their size to that of an A5. The techniques used range from the conventional design and photography, through a multitude of ways, direct or diverted, to use a sheet of paper. The set represents a complete overview of contemporary artistic practices using paper. Over the rails, the viewer will discover pages of sketchbooks, sketches of plans, proposals more refined formulations of initial ideas, works ... definitive Some artists that work on paper is not common practice, have imposed the exercise of inventing a possible use of paper, with the additional constraint of small size, requiring some form of intimacy, as opposed to any bombastic speech or any final proposal. In others, for whom drawing is part of the creative process, the proposed exercise forced them to a suitable choice for their works fund intermediaries. Others, familiar with the practice of drawing, had to pay to the test expression in reduced dimensions, requiring concentration, sobriety and concisely. That, somehow, an invitation to enter, such as burglary, in the laboratories of contemporary art which is given by the Gallery of the High Pavement.

To learn more, click here .

Exhibition from 5 to12 February 2011,
Tuesday through Saturday from 2:30 p.m. to 7:00 p.m..

Gallery Upper Interlocking
3 quai Montebello 75005 Paris

01 43 54 58 79

Clip Art Laundry Detergent

Stories

Let me share with you

softness these soft glow.
To fight against the gray.
For those waiting for better days ......
*********************

I would also like to thank you for getting news of Verdine. It goes well. It took over "completely, totally, and every moment" her matriarch role, and I can tell you that his "kids" right spin. I still want and always these days, where it is until after his mother shoes educator, protector, demanding, grumpy, voluntary, dynamic, and so little coaxing. In a word IT simply.

Denise Milani Desnuuda

Soon the whole spring

For spring, a busy schedule ahead at Eric Zemmour.

Starting with the Fair Nice in March, for which we will create a real hair salon in a huge space beauty . You you can come and hair done and advised by Eric himself or members of his team. Makeup artists from home Make-up-for-ever will also be on hand to enhance your complexion.
Fair just ended, we direct linking to an evening presentation of the collection L'Oreal Professional in Paris in a very prestigious and elite to the Parisian salon.
That's not all! We will continue with a tour in Argentina for over a week. For the occasion, we will have several events between shows and seminars.

season already looks strong!

Orange Juice Squeezer

Bloguons

on an idea developed by L'Oreal Professional at the launch of the range special Man, we invite bloggers to come and be pampered at Eric Zemmour .

If this idea appeals to you, contact me (comment, email, facebook ,...). With Eric, we will choose the lucky among those elected blogs most visited and influential.

Woman Hernia More Condition_symptoms

Bernard Plossu and Didier Morin Cinema Omnia Republic (Rouen)

"Mexico, Acapulco road," Bernard Plossu, 1965

On the occasion of the exhibition " Plossu Cinema," presented at the photos of the Pôle Image Haute-Normandie, screening of Bernard Plossu " Mexican Travel» Film and Didier Morin " Another trip Mexican " Thursday, February 3 at the cinema 20h Omnia Republic, Rouen.

Travel Mexico 1965-1966 (film super 8) to Bernard Plossu color, 30 '
In 1965-1966, age 20, Bernard Plossu makes a trip to Mexico. He photographed and filmed with a Super 8 camera. His photographs will result in 1979, publishing a book in worship Contrejour, Travel Mexico, with a preface by Denis Roche. More than just a travel album, this book is the witness of an era and a generation who aspired to a life free without agreement, the current beatnik and hippie movement which was linked Plossu Bernard. His films Super 8, Bernard Plossu keep them in a closet for over 40 years, up to forget the content. In 2009, on the advice of Didier Morin planning another trip Mexican Plossu Bernard decides to perform a telecine to all of its coils, which allows the production of a film than thirty minutes not a sound, consisting of a ordered sequence of shots but not mounted. There is now written as Dominique Païni in his text: "Virgin, vivacious and beautiful today," * "A real time to contemplate the red car touching down, quivering in the dust of the road to Puerto Angel, the knowing smiles that light up the camera looks, youth bodies, the surf, the unknown cross on roads and streets. "
* Plossu in Film, Publishing Yellow Now - Side Photos, Belgium, January 2010.

Another Mexican trip, Didier Morin color, 110 '
Another Mexican trip is a road movie of 110 minutes. Shot in two months in Mexico and the United States, it documents the trip to Mexico as carried Bernard Plossu in 1965-1966, and which gave rise to a publication by Editions Contrejour in 1979, the Mexican trip. In this film, Didier Morin essentially repeats the route was that of Bernard Plossu 40 years ago. If it finds the photographs of places and meet people photographed at the time, Mexican Another trip is crossed by numerous "ghosts" of travelers and explorers. Malcolm Lowry mentioned by Frederic Yves Jeannet, Eisenstein, Thierry Kuntzel, Antonin Artaud, Manuel Alvarez Bravo, as well as Tommie Smith and John Carlos.

Free admission, limited seating available.

Reservations recommended at the following address: @ wanadoo.fr galerie.pole . More information
02 35 89 36 96

Plossu Cinema

Photography Bernard Plossu

Exhibition January 14 to March 5, 2011

Free admission Tuesday through Saturday from 14 to 18 except holidays

Photo Gallery Pole Image Haute-Normandie 15 rue
chain

76000 Rouen


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Thank You On Wedding Programs

Lauriane Guichard Hive

Opening of the exhibition of paintings and drawings Lauriane Guichard Praise of Color , Friday, February 4 from 18h to the hive.

Lauriane Guichard was obtained DNSEP in Erba Rouen in 2008.

"My field testing varies from one series to another, the choice of format support allows me an endless exploration of forms.
overload leaves emerge deconstructed shapes that propel the viewer into an imaginary especially where color dominates its impact.
That said, I'm still in a research, experimentation and I stay in questions purely plastic. I'm trying to find a balance between abstraction and a possible reality.
My drawings sometimes suggest a world of illustration, that of the comic allows me to work different techniques and to develop some ideas ... "

Exhibition February 4 to 27, 2011
Wednesday, Saturday and Sunday from 14h to 18h30

An artist's talk around a hot drink is scheduled Sunday, February 13 at 16h.
possible visit by appointment, for groups including, contact the hive associationlaruche@gmail.com mail or by phone: Sophie Mari, 0660820423


And always to January 31,
ZAP
zones architectural plural simultaneously to the Hive and the community center Georges Brassens of Saint Etienne du Rouvray
More info on the blog http://associationlaruche. Blogspot.com

Association La Ruche,
1 / 3 Rue Georges Petit
76300 Sotteville-les-Rouen
http://associationlaruche. Blogspot.com